Ben Eastham
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Ben Eastham
Books
Essays
Interviews
Features
Reviews
Art
Literature
Other
Talks
Books
Essays
Interviews
Features
Reviews
Art
Literature
Other
Talks
Contact
Art
Sharjah Biennial 15, “Thinking Historically in the Present”
e-flux Criticism – March 2023
Jitish Kallat’s “Tangled Hierarchy 2”
e-flux Criticism – January 2023
Sarah Sze’s “Is Love All There Is?”
ArtReview – October 2022
Anna Esposito’s “What I’ve Done”
ArtReview – August 2022
59th Venice Biennale
art-agenda – April 2022
Faith Ringgold’s “American People”
ArtReview – April 2022
Carolyn Drake’s “Knit Club”
art-agenda – March 2022
7th Athens Biennale, “Eclipse”
ArtReview – December 2021
Simone Forti’s “News Animations”
art-agenda – October 2021
Syros International Film Festival
ArtReview – August 2021
Chto Delat at State of Concept, Athens
art-agenda – October 2020
When the Money Runs Out…
ArtReview – September 2020
London roundup
art-agenda – June 2020
“Transparent Things” at CCA Goldsmiths, London
ArtReview – April 2020
Gabriel Kuri at Douglas Hyde Gallery, Dublin
art-agenda – March 2020
Derek Jarman at IMMA
ArtReview – February 2020
Mike Nelson at Protocinema, Istanbul
ArtReview – January 2020
The decade in art
Times Literary Supplement – December 2019
Korakrit Arunanondchai at Secession, Vienna
ArtReview Asia – December 2019
Pope.L
ArtReview – October 2019
Laurie Anderson and Hsin-Chien Huang’s “Satellite of Love”
– August 2019
16th Istanbul Biennial
ArtReview – August 2019
“Projections Commissions” at Tyneside Cinema, Newcastle
ArtReview – June 2019
“Metamorphosis. Art in Europe Now” at Fondation Cartier, Paris
ArtReview – June 2019
“May You Live in Interesting Times” at the Venice Biennale
ArtReview – May 2019
58th Venice Biennale: Previews
ArtReview – May 2019
Jeffrey Gibson at the New Museum, New York
ArtReview – April 2019
Steirischer Herbst 18: “Volksfronten”
ArtReview – October 2018
Julie Becker, “I Must Create a Masterpiece to Pay the Rent”
ArtReview – September 2018
Manifesta 12: “The Planetary Garden. Cultivating Coexistence”
ArtReview – August 2018
Lee Bul’s “Crashing”
ArtReview Asia – July 2018
Teju Cole’s “Blind Spot”
Times Literary Supplement – July 2018
Robert Gober’s “Tick Tock”
ArtReview – May 2018
Judith Bernstein’s “Money Shot”
ArtReview – April 2018
Danh Vo’s “Take My Breath Away”
ArtReview Asia – April 2018
R.M. Fischer at Southard Reid
frieze – March 2018
Tacita Dean
frieze – March 2018
Getting Lost
Mousse – February 2018
“Poor Art / Arte Povera” and Gino de Dominicis
ArtReview – January 2018
Dublin Gallery Weekend
art-agenda – November 2017
Allora & Calzadilla’s “Foreign in a Domestic Sense”
ArtReview – November 2017
On Virginie Despentes
frieze – October 2017
Jennifer Tee’s “Structures of Recollection and Perseverance”
ArtReview – October 2017
Stuart Middleton’s “Beat”
ArtReview – September 2017
Cosey Fanni Tutti’s “Art Sex Music”
Times Literary Supplement – June 2017
John Gerrard
frieze – May 2017
Richard Mosse’s “Incoming”
ArtReview – April 2017
Documenta 14 in Athens
art-agenda – April 2017
“Myths of the Marble” at Heine Onstad Kunstsenter, Oslo
art-agenda – March 2017
“The Place is Here” at Nottingham Contemporary
ArtReview – March 2017
London
Even Magazine – March 2017
Keith Piper’s “Unearthing the Banker’s Bones”
frieze – December 2016
Lisbon & Madrid roundup
art-agenda – November 2016
Gallery Weekend Korea
art-agenda – November 2016
Critic’s Guide: Paris
frieze – July 2016
Tate Modern’s Switch House
art-agenda – June 2016
Glasgow International 2016
frieze – April 2016
At the Newport Street Gallery
London Review of Books – January 2016
Henk Peeters
frieze – December 2015
The Wrong Biennale
Rhizome – December 2015
Turin roundup
art-agenda – November 2015
Lawrence Abu Hamdan’s “The All Hearing”
art-agenda – September 2015
Pierre Bismuth at Kunsthalle Wien
frieze – April 2015