Art

Zineb Sedira at Tate Britain

the Guardian – May 2026

61st Venice Biennale

e-flux Criticism – May 2026

“Salon” at Lismore Castle Arts

the Guardian – April 2026

Isaac Julien at the Cosmic House

the Guardian – April 2026

Opening of the V&A East Museum

the Guardian – April 2026

Roman Khimei and Yarema Malashchuk at Museo Nacional Thyssen-Bornemisza

e-flux Criticism – April 2026

Wilhelm Sasnal at Sadie Coles HQ

the Guardian – April 2026

James Richards at Sylvia Kouvali

e-flux Criticism – March 2026

Frank Bowling at the Fitzwilliam

the Guardian – March 2026

Hokusai and Hiroshige at the Whitworth

the Guardian – March 2026

David Hockney at the Serpentine

the Guardian – March 2026

Linder’s “Where the tongue slips it speaks truth”

e-flux Criticism – January 2026

Pauline Boudry and Renate Lorenz’s “how we always survived”

e-flux Criticism – November 2025

Reba Maybury and Lucy McKenzie’s “Pervert or Detective?”

e-flux Criticism – June 2025

Lina Lapelytė’s “In The Dark, We Play”

e-flux Criticism – April 2025

Sharjah Biennial 16, “To Carry”

e-flux Criticism – February 2025

15th Gwangju Biennale, “Pansori”

e-flux Criticism – October 2024

60th Venice Biennale, “Foreigners Everywhere”

e-flux Criticism – April 2024

81st Whitney Biennial, “Even Better Than the Real Thing”

e-flux Criticism – March 2024

Esther Mahlangu’s “Then I Knew I Was Good at Painting”

e-flux Criticism – March 2024

Cosmos Cinema [editorial]

e-flux Journal – February 2024

40th EVA International, “The Gleaners Society”

e-flux Criticism – September 2023

69th International Short Film Festival Oberhausen

e-flux Criticism – May 2023

Sharjah Biennial 15, “Thinking Historically in the Present”

e-flux Criticism – March 2023

Jitish Kallat’s “Tangled Hierarchy 2”

e-flux Criticism – January 2023

Sarah Sze’s “Is Love All There Is?”

ArtReview – October 2022

Anna Esposito’s “What I’ve Done”

ArtReview – August 2022

59th Venice Biennale

art-agenda – April 2022

Faith Ringgold’s “American People”

ArtReview – April 2022

Carolyn Drake’s “Knit Club”

art-agenda – March 2022

7th Athens Biennale, “Eclipse”

ArtReview – December 2021

Simone Forti’s “News Animations”

art-agenda – October 2021

Syros International Film Festival

ArtReview – August 2021

Chto Delat at State of Concept, Athens

art-agenda – October 2020

When the Money Runs Out…

ArtReview – September 2020

London roundup

art-agenda – June 2020

“Transparent Things” at CCA Goldsmiths, London

ArtReview – April 2020

Gabriel Kuri at Douglas Hyde Gallery, Dublin

art-agenda – March 2020

Derek Jarman at IMMA

ArtReview – February 2020

Mike Nelson at Protocinema, Istanbul

ArtReview – January 2020

The decade in art

Times Literary Supplement – December 2019

Korakrit Arunanondchai at Secession, Vienna

ArtReview Asia – December 2019

Pope.L

ArtReview – October 2019

Laurie Anderson and Hsin-Chien Huang’s “Satellite of Love”

– August 2019

16th Istanbul Biennial

ArtReview – August 2019

“Projections Commissions” at Tyneside Cinema, Newcastle

ArtReview – June 2019

“Metamorphosis. Art in Europe Now” at Fondation Cartier, Paris

ArtReview – June 2019

“May You Live in Interesting Times” at the Venice Biennale

ArtReview – May 2019

58th Venice Biennale: Previews

ArtReview – May 2019

Jeffrey Gibson at the New Museum, New York

ArtReview – April 2019

Steirischer Herbst 18: “Volksfronten”

ArtReview – October 2018

Julie Becker, “I Must Create a Masterpiece to Pay the Rent”

ArtReview – September 2018

Manifesta 12: “The Planetary Garden. Cultivating Coexistence”

ArtReview – August 2018

Lee Bul’s “Crashing”

ArtReview Asia – July 2018

Teju Cole’s “Blind Spot”

Times Literary Supplement – July 2018

Robert Gober’s “Tick Tock”

ArtReview – May 2018

Judith Bernstein’s “Money Shot”

ArtReview – April 2018

Danh Vo’s “Take My Breath Away”

ArtReview Asia – April 2018

R.M. Fischer at Southard Reid

frieze – March 2018

Tacita Dean

frieze – March 2018

Getting Lost

Mousse – February 2018

“Poor Art / Arte Povera” and Gino de Dominicis

ArtReview – January 2018

Dublin Gallery Weekend

art-agenda – November 2017

Allora & Calzadilla’s “Foreign in a Domestic Sense”

ArtReview – November 2017

On Virginie Despentes

frieze – October 2017

Jennifer Tee’s “Structures of Recollection and Perseverance”

ArtReview – October 2017

Stuart Middleton’s “Beat”

ArtReview – September 2017

Cosey Fanni Tutti’s “Art Sex Music”

Times Literary Supplement – June 2017

John Gerrard

frieze – May 2017

Richard Mosse’s “Incoming”

ArtReview – April 2017

Documenta 14 in Athens

art-agenda – April 2017

“Myths of the Marble” at Heine Onstad Kunstsenter, Oslo

art-agenda – March 2017

“The Place is Here” at Nottingham Contemporary

ArtReview – March 2017

London

Even Magazine – March 2017

Keith Piper’s “Unearthing the Banker’s Bones”

frieze – December 2016

Lisbon & Madrid roundup

art-agenda – November 2016

Gallery Weekend Korea

art-agenda – November 2016

Critic’s Guide: Paris

frieze – July 2016

Tate Modern’s Switch House

art-agenda – June 2016

Glasgow International 2016

frieze – April 2016

At the Newport Street Gallery

London Review of Books – January 2016

Henk Peeters

frieze – December 2015

The Wrong Biennale

Rhizome – December 2015

Turin roundup

art-agenda – November 2015

Lawrence Abu Hamdan’s “The All Hearing”

art-agenda – September 2015

Pierre Bismuth at Kunsthalle Wien

frieze – April 2015